Status

Released

original language

English

Budget

$ 0

Revenue

$ 0

Top Billed Cast

Martin Luther King Jr.

Self (archive footage)

Coretta Scott King

Self (archive footage)

A.D. King

Self (archive footage)

Dexter King

Self (archive footage)

Yolanda King

Self (archive footage)

Martin Luther King III

Self (archive footage)

Bernice King

Self (archive footage)

Ralph Abernathy

Self (archive footage)

Joan Baez

Self (archive footage)

James Baldwin

Self (archive footage)

Harry Belafonte

Self (archive footage)

Tony Bennett

Self (archive footage)

Leonard Bernstein

Self (archive footage)

Marlon Brando

Self (archive footage)

H. Rap Brown

Self (archive footage)

Kwame Ture

Self (archive footage)

Diahann Carroll

Self (archive footage)

Wilt Chamberlain

Self (archive footage)

Xernona Clayton

Self (archive footage)

Bull Connor

Self (archive footage)

Bill Cosby

Self (archive footage)

Sammy Davis Jr.

Self (archive footage)

Ruby Dee

Self (archive footage)

James Garner

Self (archive footage)

Ben Gazzara

Self (archive footage)

Dick Gregory

Self (archive footage)

Al Hibbler

Self (archive footage)

Charlton Heston

Self (archive footage)

Hubert H. Humphrey

Self (archive footage)

Jesse Jackson

Self (archive footage)

Mahalia Jackson

Self (archive footage)

Gunnar Jahn

Self (archive footage)

James Earl Jones

Self (archive footage)

Lyndon B. Johnson

Self (archive footage)

Ethel Kennedy

Self (archive footage)

Jacqueline Kennedy

Self (archive footage)

Robert F. Kennedy

Self (archive footage)

Burt Lancaster

Self (archive footage)

John Lewis

Self (archive footage)

Elaine May

Self (archive footage)

Eugene McCarthy

Self (archive footage)

Robert Moseley

Self (archive footage)

Mike Nichols

Self (archive footage)

Paul Newman

Self (archive footage)

Richard Nixon

Self (archive footage)

John M. Patterson

Self (archive footage)

Anthony Perkins

Self (archive footage)

Sidney Poitier

Self (archive footage)

A. Philip Randolph

Self (archive footage)

Frederick Reese

Self (archive footage)

Nipsey Russell

Self (archive footage)

Bayard Rustin

Self (archive footage)

Anthony Quinn

Self (archive footage)

Fred Lee Shuttlesworth

Self (archive footage)

Nina Simone

Self (archive footage)

Paul Stookey

Self (archive footage)

Mary Travers

Self (archive footage)

Leslie Uggams

Self (archive footage)

C.T. Vivian

Self (archive footage)

Clarence Williams III

Self (archive footage)

Paul Winfield

Self (archive footage)

Joanne Woodward

Self (archive footage)

Peter Yarrow

Self (archive footage)

Andrew Young

Self (archive footage)

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Movie Reviews

A review by Geronimo1967

Written by Geronimo1967 on 2025-06-27

I’m not sure this is an actual documentary. It has no editorial or narrative structure per se, what it presents us with is as comprehensive a chronology of Dr. Martin Luther King as it is possible to get. From his humble beginnings in an Alabama ridden with bigotry and strife, through to his assassination in 1968, this uses a phenomenal amount of archive research to illustrate the power of his oratory. His speeches are powerful and emotional, but they never come across as angry or provocative of violence. His strength of character and purpose in the face of a long-established racial belligerence is really quite well captured as the film includes the large scale “I Have a Dream” set-pieces to far more intimate and poignant comments to smaller groups, churches or even just to his aides and friends as he travels the length and breadth of the country extolling the virtues of freedom for all. That all isn’t just for folks of colour, but those being persecuted for their religious beliefs too, or being disadvantaged because of their sex or social status. It’s hard to imagine who might actually watch all of this now, it is a long haul, but it goes quite some way to testifying just how effective oratory can be when delivered confidently and proudly to an audience eager to engage. There is enough annotation to help advise on the locations and timelines, and there are a few - slightly unnecessary, I felt - staged readings from the likes of Charlton Heston and James Earl Jones to help, as does the latter archive footage, demonstrate that his optimism wasn’t just inspiring those African Americans, but plenty from the descendants of it’s European immigrant population too. It doesn’t attempt to analyse the man, his motives or his personal life but I don’t think that was anyone’s plan. It’s a vehicle for his passion, and it works powerfully.