Status
Released
original language
English
Budget
$ 0
Revenue
$ 0
Albert Hall
Trenchard
Levi
Ray Collishaw
Proctor
Peckham Princess
Mickey Mannock
William Bishop
Richard
Nixon
Kootz
Jimmy McCudden
Vladimir Sukhov
Amelia
Lol
Albanian Thug
Werner Voss
Lol's Girlfriend
Eddie Mannock
Ellie Collishaw
Joe Collishaw
Klash
Hannah
Anthony Forker
Dillan
Russian (as Oleg Kalninsh)
Tiny
Louis
Alison
Police Forensic Officer
German Hooligan
Clubber
Undercover Police
Ellie's daughter
Maggie
Russian Hitman
Jack
Police Officer
Russian 1
Police Officer
Sarah
Police Woman
Jan van Dorn
Ferry Passenger
Ellie's son
Zoe
Policeman
DIner
Undercover Police
Police Officer
Girlfriend at Bar (uncredited)
Russian Thug (uncredited)
Mike the Doorman (uncredited)
Gangster (uncredited)
German Thug (uncredited)
Written by John Chard on 2014-03-14
The Rumble Robbery. St George's Day is directed by Frankie Harper, he also co-writes the screenplay with Urs Buehler and stars with Craig Fairbrass, Vincent Regan, Charles Dance, Dexter Fletcher, Nick Moran, Keeley Hazell, Jamie Foreman and Sean Pertwee. Music is by Tim Attack and cinematography is by Mike Southon. Frankie Harper, one of the most liked and recognisable faces from the slew of British gangster and football hooligan films, turns his hand to try and make his own mark in what is becoming a bulging genre of Brit film. The kicker here is that he blends the two popular lad staples together by having a plot involving gangsters using a football rumble as cover for a robbery. In Berlin, Germany, no less and St George's Day as well! Cor blimey! Plot is kind of incidental, which is just as well since it's not exactly a brains trust script. Film is filled out with the requisite amount of shouting, swearing, fighting, shooting, thieving, jingoism, sloganeering and lairy witticisms. Harper has surrounded himself with pals, clearly offering up reassuring presences to the budding director, while it's fun for fans of this splinter of Brit cinema to play spot the face. It's all very blokey and enjoyable enough for the undemanding, but the good idea on the page is not born out as the narrative often gasps for fresh air, the attempts at complexity ending up mundane. The cinematography is a highlight, with the number of Euro locations used giving good visual tonics. Cast perform adequately as per the material, though Moran, Fletcher, Dance and Pertwee are under used and therefore wasted. There's enough in here to suggest Harper could offer something of value as a director, but maybe a little less crass for crass sake should be jettisoned in favour of some intelligence in the writing. Dexter Fletcher's debut outing as a director, Wild Bill, is a good marker, Frankie would do well to follow his mate's lead. 6/10