Status
Released
original language
English
Budget
$ 20000000
Revenue
$ 67330500

Jane Craig

Tom Grunick

Aaron Altman

Ernie Merriman

Jennifer Mack

Blair Litton

Paul Moore

Bobby

Bill Rorich

Martin Klein

George Wein

Gerald Grunick

Young Tom

Young Aaron

Young Jane

Jane's Dad

Elli Merriman

Anne Merriman

Clifford Altman

Mercenary

Lila

Spanish Cameraman

Guerilla Leader

Guerilla Soldier

General McGuire

Commander

Date-Rape Woman

Weekend News Producer

Makeup Woman

Floor Manager

Paul's Secretary

Edward Towne

Tom's Soundwoman

Emily

Newsroom Worker

Donny

Chyron Operator

Technical Director

Technical Director

Control Room Director

Weekend News Director

Assistant Director

Assistant Director

Technician

Audio Visual Engineer

News Theme Writer

News Theme Writer

Lecture Host

Aaron's Cameraman

Aaron's Soundwoman

Mother in Hall

Young Tough

Young Tough

Young Tough

Ellen

Tom's Female Colleague

Cab Driver

Uniformed Cop

Defense Dept. Spokesman

NATO Spokesman

Angry Messenger

Written by Geronimo1967 on 2022-06-18
Centred around the cut-throat environment of an American newsroom at a time when the focus of the bosses was switching from strong journalistic values to those more ratings-based, we are provided with this premiss. William Hurt ("Grunick") is certainly the more handsome man for the anchorman's chair, but he has nothing like the knowledge or gravitas of colleague and rival "Altman" (Albert Brooks) with his superior, borderline condescending on-screen style. Executive producer "Jane" (Holly Hunter) is charged with trying to keep things on an even keel, whilst unsure which, if either, of the two men she wants to date. At times there atmosphere here is electric, with quickly paced activity, acerbic wit and a wonderfully portrayed dog-eat-dog mentality that lends a great deal of authenticity to this most competitive of workplaces. Ocassionally, it is cluttered up by a romance that is simply not required - the triumvirate just didn't need it, but in the main Hunter is on super form. She effortlessly plays a multitude or roles as she tries to juggle her personal and professional feelings for these two men who offer us characterisations that we can laugh at and loathe in almost equal measure. I worked in live television for a great many years, and always admired the skills of those who can talk, listen, look and react all at the same time - the scene with poor old "Altman" losing half his bodyweight whilst on air still makes me squirm even now. It has lost some of its potency over the last 35 years, but recalling that this was amongst the first to illustrate just how tough these jobs are, it's still a great watch.
Written by kevin2019 on 2024-02-25
"Broadcast News" is desperately overlong and it stubbornly insists upon indulging in irrelevant mini-prologues of the three main characters at the beginning which has absolutely no bearing on them as adults, but other than this the film does successfully provide a fascinating insight into the pressurised and competitive world of television journalism and it must be applauded for highlighting the unfortunate trend of elevating news anchors to celebrity status and they are out to sell news to the public as if it were nothing more than another product. This is an alarming turn of events when the image of the news anchor supersedes the importance of global events simply because they are capable of bringing in substantial viewing audiences for a particular channel and furthering their own careers by doing so and established journalistic ethics be damned instead of their top priority always being the persistent pursuit of the truth.