Status
Released
original language
English
Budget
$ 0
Revenue
$ 534000

Leila

Shireen

Young Shireen

Ali Reza

Mamanjoon

Young Leila

Maximillian

Young Ali Reza

Nurse Roja

Young Mamanjoon

Majid

Shivaz

Abbas

Vahid

Hamid

Eman

Elena

Soussan

Babajoon

Zal

Rostam

Raj Patel

Dr. Manzano

Dr. Anahita

Instructor

Teacher

Surgeon

Airport Officer

Phone Receptionist

Hospital Administrator

Aunt Mahdis

Priya Anand

Grocery Clerk

Lawyer

Nasir

Jim

Young Majid

Young Abbas

Young Hamid

Young Zal

Young Rostam

Young Eman

Farrah Alavi

Wedding Singer / Dr. Alavi

Ob/Gyn

Nurse

Calm Nurse

Nervous Nurse

News Reporter

Iranian Student

American Student

Daniel Azizam

Store Employee

Young Boy

Written by Geronimo1967 on 2024-03-27
"Leila" (Layla Mohammadi) has a sort of love/hate relationship with her mother "Shireen" (Kamand Shafieisabet who morphs into the formidable Niousha Noor) that seems to centre around the former's more independent, and lesbian, lifestyle in the United States to where the family emigrated from Iran. What's bringing all this familial strife to an head is the fact that her father is suffering from heart problems in hospital. They are all gathering around to be supportive and "Shireen" can barely suffer her daughter to remain in the same room. Now "Leila" has been told their arrival in America was due to a doctor shortage following the Vietnam war, but a casual conversation with her grandmother (Bella Warda) introduces the idea of a "scandal" into the proceedings. She doesn't get an immediate explanation, but gradually she is filled in on a scenario that isn't quite as she'd been led to believe. It appears that her parents started out in a remote part of their homeland and that their early marriage wasn't exactly "straightforward". What now ensues bares then brings together the threads of the lives of these two women as they both develop the strong character traits that explains rather well the reasons for the current combativeness. A Halloween one-night-stand with actor "Max" (Tom Byrne) further complicates things as we head to a frenetic conclusion that is all pretty predictable. Initially, this offers us quite an interesting look at contrasting cultures and generational aspirations, but otherwise it's not really very funny, plays to a load of stereotypes - she has nine brothers so every box can be ticked, and I found the last few scenes really quite annoyingly selfish. It's an OK watch this, but you'll never remember it.